Legendary actress Audrey Hepburn is born

Legendary actress Audrey Hepburn is born

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On May 4, 1929, Edda van Heemstra Hepburn-Ruston—who will one day be better known to legions of film fans as Audrey Hepburn—is born near Brussels, Belgium.

The daughter of an English banker and a Dutch baroness, Hepburn was attending school in London when World War II erupted in Europe. During the war, the Nazis occupied Holland, where the young Audrey and her mother were staying, and the family suffered many hardships. Hepburn continued to pursue her ballet studies, and at war’s end, she returned to London, where she modeled and began acting in small parts on stage and screen. In 1951, Hepburn was “discovered” by the French writer Colette while in Monaco shooting a film. Colette insisted Hepburn be cast in the title role of the Broadway version of her novel Gigi, and the young actress made her Broadway debut that same year.

Hepburn’s success in Gigi led directly to her being cast as the lead in the 1953 film Roman Holiday. For her portrayal of a headstrong young princess who falls in love with a journalist (played by Gregory Peck) while on the loose in Rome, Hepburn won the Academy Award for Best Actress. She won a Tony Award for Best Actress the same year, for her starring turn in Ondine. Over the next decade, Hepburn proved herself more than a match for Hollywood’s top leading men in such hits as Sabrina (1954, with William Holden and Humphrey Bogart), Funny Face (1957, with Fred Astaire) and Love in the Afternoon (1957, with Gary Cooper).

As the inimitable Holly Golightly in Breakfast at Tiffany’s (1961), Hepburn earned her fourth Oscar nod for Best Actress (she was also nominated for Sabrina and 1959’s A Nun’s Story). She sparked a controversy when she was picked to star as Eliza Doolittle in the film version of the musical My Fair Lady (1964), beating out Julie Andrews, who had originated the role on Broadway. Three years later, Hepburn scored a fifth Academy Award nomination for Wait Until Dark, a film that was produced by her then-husband, Mel Ferrer (they married in 1954). She left full-time acting shortly thereafter (though she would continue to appear sporadically in movies, notably as Maid Marian opposite Sean Connery’s Robin Hood in 1976’s Robin and Marian) and spent most of her time at her home in Switzerland. Hepburn and Ferrer, who had one son, divorced in 1968, and Hepburn married Andrea Dotti, an Italian psychiatrist, the following year; they had one son together. After divorcing Dotti, Hepburn began a relationship with Robert Wolders, a Dutch actor, in 1980.

In her semi-retirement from acting, Hepburn devoted most of her energy to charitable causes, most notably UNICEF, the United Nation’s children’s fund, for which she was named a special ambassador in 1988. Hepburn’s field trips for UNICEF took her around the globe, from Guatemala, Honduras, Venezuela and El Salvador, to Turkey, Thailand, Bangladesh and Sudan. She was also an eloquent public voice for the organization, helping to raise money and awareness for its work by speaking before the U.S. Congress, among other venues. In 1992, she was awarded the Presidential Medal of Freedom.

Hepburn made her final film appearance in Steven Spielberg’s film Always (1989), in which she played an angel. In 1992, shortly after returning from a UNICEF trip to Somalia, Hepburn was diagnosed with colon cancer. After undergoing surgery that November, she died on January 20, 1993, at her home near Lausanne, Switzerland, at the age of 63.

Audrey Hepburn was born in Brussels, Belgium, on May 4, 1929, the daughter of J. A. Hepburn-Ruston and Baroness Ella van Heemstra. Her father, a banker, deserted the family when she was only eight years old. Hepburn was attending school in England when the Germans invaded Poland at the start of World War II (1939� a war fought mostly in Europe, with Germany, Italy, and Japan on one side and the United States, Great Britain, France, and the Soviet Union on the other). England had promised to help Poland, which they did by declaring war on Germany. Hepburn's mother took her to live with relatives in Holland, thinking they would be safer there. The Germans soon invaded Holland, though, leading to the deaths of many of Hepburn's relatives and forcing her and her mother to struggle just to stay alive. Sometimes she had nothing to eat except flour. Still, as a young ballet dancer, she performed in shows to help raise money for the Dutch war effort.

Hepburn and her mother moved to England after the war, and she continued to pursue her dance career. She was cast in bit parts on stage and in films in both Holland and England before being discovered in 1952 by the French novelist Colette (1873�) in Monte Carlo, Monaco. Colette insisted that Hepburn play the lead role in the Broadway production of her novel Gigi. Although Hepburn's lack of experience was a problem at first, she improved steadily, and reviews of the show praised her performance. She also won a Theatre World Award for her work.

Hepburn's nationwide exposure in Gigi also brought her to Hollywood's attention. She was given a starring role in Paramount Studios' Roman Holiday. Costarring Gregory Peck (1916–), the 1953 film tells the tale of a runaway princess who is shown around Rome, Italy, by a reporter who falls in love with her. He then convinces her to resume her royal duties. The role landed Hepburn an Academy Award for best actress at the age of twenty-four.

Hepburn was now highly sought after. Director Billy Wilder (1906�) signed her up in 1954 for his new film, Sabrina. The movie was about a chauffeur's (someone who is paid to drive a wealthy person's car) daughter whose education in France makes her the toast of Long Island, New York, society. Hepburn costarred with William Holden (1918�) and Humphrey Bogart (1899�), who was her love interests in the film.

Hepburn went on to share the screen with all of the top leading men of her time: Cary Grant (1904�), Fred Astaire (1899�), Rex Harrison (1908�), Mel Ferrer (1917–) (whom she married in 1954 and divorced in 1968), and Sean Connery (1930–). In 1959 she made her first serious film, The Nun's Story. Hepburn and Albert Finney (1936–) were applauded for their strong acting. Of Hepburn's twenty-seven films, quite a few have become classics. She was nominated (her name was put forward for consideration) for three other Academy

Audrey Hepburn: The life story you may not know

Actress and humanitarian Audrey Hepburn's timeless style and grace were the stuff of legend and remain unrivaled in their scope and influence. The Belgian-born actress first caught the world’s attention as a wide-eyed young Parisian in the Broadway production of “Gigi” and then as a rebellious princess in “Roman Holiday.” Later, she was a strong-willed Cockney flower vendor in "My Fair Lady" and a free-spirited escort in “Breakfast in Tiffany’s.”

To commemorate Hepburn's prolific career and inspired life, Stacker compiled a list of 25 facts from Hepburn’s life story that you may not know. To do so, we consulted newspaper articles, magazine accounts, biographies, film archives, film recordings, and reviews.

On and off the screen, Hepburn epitomized elegance, sophistication, and taste. A muse of French designer Givenchy, she was one of the greatest style icons of the 20th century. Her signature look in “Breakfast at Tiffany’s”—little black dress, oversized sunglasses, updo, and pearls— remains a classic to this day. But Hepburn was much more than the sum of her numerous film roles and storied love affairs. When she was still a young ballet student during World War II, Hepburn aided the Dutch Resistance against the Nazis. Later in life, she was a deeply committed goodwill ambassador who traveled the globe for the United Nations’ International Children’s Emergency Fund (UNICEF). Some of the most iconic photographs of the actress are not those of her as a young startlet but rather as a confident, empathetic woman greeting children with open arms as part of her humanitarian work.

Audrey Hepburn's image is among the best known, and the world remains enthralled by her story decades after her death at age 63. Keep reading to learn more about this

Audrey Hepburn was born Audrey Kathleen Ruston on May 4, 1929, in Brussels. During World War II, her mother, Dutch Baroness Ella Van Heemstra, changed her child’s name to Edda Van Heemstra to mask her British roots. Her father, Joseph Victor Anthony Ruston, born to English and Austrian parents, changed his surname to Hepburn-Ruston, as he believed he was descended from an English earl, James Hepburn. He left the family when Audrey was 6 years old.

Hepburn attended boarding school in England as a child but lived in Nazi-occupied Holland during World War II. Her mother started as a Nazi sympathizer, but when Audrey's uncle was imprisoned and killed, mother and daughter fled to a nearby town and Audrey's mother quickly began supporting the resistance.

Years later, Hepburn recalled that the hardship during the war was so great and her family was so hungry that they ate tulip bulbs.

Hepburn served as a volunteer nurse in a hospital that treated wounded Allied soldiers. A ballet student, she gave dance performances to help raise funds for the Dutch Underground and was at times a courier delivering messages for the anti-Nazi resistance effort.

Following World War II, Hepburn modeled and studied ballet in Amsterdam and London. In 1948, she debuted on stage in London as a chorus girl in a musical called “High Button Shoes.”

Hepburn’s first film role was an uncredited appearance in the 1951 movie “One Wild Oat.” She also appeared that year in “The Lavender Hill Mob” starring Alec Guinness. Her first starring role came with the 1951 Broadway release of "Gigi," which was made into a film in 1958 starring Leslie Caron in the title role.

While filming a movie in Monte Carlo, Hepburn was spotted by the French author Colette, who wanted her to play the title role in the stage production of her novel “Gigi.” In 1951, at age 22, Hepburn starred in the Broadway hit.

Hepburn won an Academy Award for her role as Princess Ann, a character making a brief escape from her royal duties, in the 1953 hit “Roman Holiday.” The film co-starred Gregory Peck, who played a reporter.

In what was her last appearance on a Broadway stage, Hepburn won a Tony Award for her lead role in the 1954 Broadway show “Ondine.” Her co-star was actor Mel Ferrer, whom Hepburn married in Switzerland in September that year.

Hepburn played the title character in 1954’s "Sabrina," which also starred Humphrey Bogart and William Holden. The actress got an Academy Award nomination for her role in the romantic comedy about the daughter of a chauffeur and the competing attention of two wealthy brothers.

Hepburn and Holden began an affair during filming that consumed both stars to the point that Holden agreed to leave his wife and children for Hepburn. Hepburn, who wanted to have children of her own, broke things off on the spot when she learned Holden had undergone a vasectomy years earlier. Neither star fully recovered from the break-up, with each spiraling out into numerous affairs and Hepburn's obsession with having children driving her into two sorely mismatched marriages that ended in divorce.

Hepburn danced across from Fred Astaire in 1957's “Funny Face.” Her costumes were designed by Hubert de Givenchy, who also designed her wardrobe in “Love in the Afternoon” in 1957, “Breakfast at Tiffany's” in 1961, “Charade” in 1963, and other films. The little black dress she wore in “Breakfast at Tiffany's” sold at a Christie's auction in 2006 for more than $920,000.

Hepburn's mother, Baroness Ella Van Heemstra, made a cameo appearance in 1957's “Funny Face” as a patron in a sidewalk café. The actress's Yorkshire terrier, Mr. Famous, also appears in the movie.

Hepburn appeared in the movie version of “War and Peace” alongside her husband Mel Ferrer, whom she married on the rebound from William Holden, in 1956. In 1959, she played a nun struggling to fulfill her vows in “The Nun's Story,” a role that earned her an Academy Award nomination.

Hepburn's part in the 1960 Western “Unforgiven,” directed by John Huston, was one of her least favorite roles. While filming a scene on horseback, Hepburn was thrown from the horse and broke her back. She had a miscarriage several months later.

In 1960, Hepburn had her first child, Sean. She had a late miscarriage during her next pregnancy, at six months. Hepburn's second son, Luca, was born in 1970.

One of Hepburn’s most iconic film roles was playing Holly Golightly in 1961's “Breakfast at Tiffany's," based on a story by Truman Capote. The role earned Hepburn her fourth Academy Award nomination. Capote did not want Hepburn for the role he had wanted it to go to Marilyn Monroe.

Composer Henry Mancini said he wrote his famed “Moon River” especially for Hepburn, who sings it in “Breakfast at Tiffany’s” to enchant her writer neighbor (played by George Peppard). Mancini said of all the versions of “Moon River,” he thought hers was “the greatest.”

Playing Eliza Doolittle in the 1964 movie "My Fair Lady" was one of Hepburn’s most controversial roles. Many people wanted the part to go to Julie Andrews, who had appeared in the Broadway version. Hepburn's singing in the film was dubbed by singer Marni Nixon, and the actress revealed later that she would not have taken the part if she had known that producer Jack Warner did not want her to sing.

Hepburn co-starred with Albert Finney in "Two for the Road" in 1967. Her fifth Academy Award nomination came later that year, for her role as a blind woman in the thriller “Wait Until Dark” with Alan Arkin.

After divorcing Mel Ferrer in 1968, Hepburn married Italian psychiatrist Andrea Dotti in 1969. Their subsequent divorce was finalized in 1982. Her companion from 1980 until her death was Robert Wolders, a Dutch actor once married to actress Merle Oberon.

Hepburn became a Goodwill Ambassador for UNICEF in 1989, making more than 50 trips visiting UNICEF projects around the world. The trips, many dangerous, brought the star into communities where some of the world's most vulnerable children lived in order to raise global awareness of a number of humanitarian crises.

The actress turned down the lead role in the 1959 movie adaptation of "The Diary of Anne Frank," saying she was too old for the part. In 1990, Hepburn narrated portions of the diary for a symphonic work by composer Michael Tilson Thomas, touring the United States and England with proceeds going to UNICEF.

Hepburn’s last trip for UNICEF was a mission to Somalia in September 1992, after which she complained of stomach pains. She was diagnosed with appendiceal cancer two months later.

President George Bush awarded Hepburn the Presidential Medal of Freedom in December 1992 to honor her work with UNICEF. The actress was too sick to attend the ceremony.

Hepburn died on Jan. 20, 1993, at home in Tolochenaz, Switzerland, after her battle with cancer. Her gravesite in Tolochenaz is a major tourist attraction, drawing hundreds of thousands of visitors annually.

Hepburn received a special Academy Award for her work with UNICEF. The Jean Hersholt Humanitarian Award was awarded to her posthumously in 1993.

Monday, November 3, 2014

Audrey Hepburn: The Smoking Beauty

Audrey Hepburn is one of the most beautiful actress in the history of world cinema. Recognized as a film and fashion icon, Hepburn was active during Hollywood's Golden Age. She was ranked by the American Film Institute as the third greatest female screen legend in the history of American cinema and has been placed in the International Best Dressed List Hall of Fame. She is also regarded by some to be the most naturally beautiful woman of all time. This extraordinary actress was a smokers during her film career.

Here are some excerpts from newspapers/magazines proving that fact:

"'I love making movies,'' she says in that wonderfully elegant voice, as she leans forward so her press agent can light her cigarette ", New York Times, Jun. 4, 1980

"'I was just sort of launched on this career,' she says, lighting a cigarette and exhaling a thin stream of smoke", Washington Post, Aug. 5, 1985

"'I read these things and I marvel,' she says, lighting a cigarette . reaching for another cigarette", Raleigh News & Observer, Mar. 3, 1991

"The day typically wound down with Hepburn ambling around the house with a Kent cigarette and her nightly 'two fingers' of J&B Scotch", People Magazine, Oct. 31, 1994

Many biographies describe her as a heavy smoker, ever since she was 15 years old.

Biography of Audrey Hepburn, Belgian actress

Biography of Audrey Hepburn, a beautiful woman with a harmonious face and captivating gaze. She is considered one of the three greatest female legends in American cinema.

She was a model, dancer and actress. She had an innate elegance and grace as natural as her attractive beauty.

Audrey Hepburn’s main merits

She was born in Brussels, Belgium, in 1929 and was called Audrey Kathleen Ruston, but she is known by her stage name: Audrey Hepburn.

Flower carpet in the Main Square of Brussels. Credit: Wouter Hagens

The great film director William Wilder said of her: “She has all the things I am looking for: charm, innocence and talent. It is also very fun. She is absolutely charming. I do not hesitate to say that she is our girl ”.

This was in 1953, when he was looking for a co-star for Gregory Peck, for the movie “Roman Holiday“.

In her brief cinematographic life she was the main protagonist in successful films that left their mark on the history of cinema.

She will always be remembered in “Rome Holiday“, 1953, with Gregory Peck.

She was wonderful in “Sabrina” 1954, with Humphry Bogart and William Holden. Also unforgettable are “ Breakfast at Tiffany’s” and “My fair lady“.

Many of the thousands of followers of the divine Greta Garbo found comfort in admiring the youthful grace of Audrey Hepburn.

From 1954, she began to dedicate a large part of her life to supporting the UNICEF organization.

Between 1988 and 1992, she collaborated with some of the most disadvantaged communities in Africa, South America, and Asia.

In 1992, she was awarded the Presidential Medal of Freedom, in recognition of her work as a UNICEF Goodwill Ambassador.

In 2000, a statue of her was erected at UNICEF headquarters in New York.

Audrey Hepburn’s childhood and family

Audrey Ruston was born on May 4, 1929, in Brussels.

She was the only daughter of the English Joseph Ruston and his second wife, Ella Van Heemstra.

Audrey’s mother was an aristocrat, an opera singer, the daughter of the former Governor of Dutch Guiana and a descendant of King Edward III of England.

Audrey Hepburn captivated everyone with her sweetness and generosity. Credit: Bud Fraker

Because her father worked at a British insurance company, Audrey had the opportunity to travel frequently between Brussels, England, and the Netherlands.

In 1935, her parents divorced between 1935 and 1938, from 6 to 9 years of age, Audrey studied at a private women’s academy in Kent, England.

Landscape of the Kent area, England. Credit: Pixabay

Both parents were members of the “British Union of Fascists” and followers of Adolf Hitler.

Audrey remembered these days as the most traumatic of her life.

Much later, she managed to locate her father in Dublin, through the Red Cross.

Since then she remained in contact with him and supported him financially until his death.

Audrey Hepburn in the Netherlands

In 1939, believing the Netherlands to be a safe place to dodge the Nazi army, Ella Van Heemstra moved with Audrey and her two other children to the family home in the city of Arnhem.

Until 1945, Audrey combined her studies at school with those at the Arnhem Conservatory where she studied piano and classical ballet.

To prevent her English origins from being discovered, Audrey’s mother called her Edda Van Heemstra, like her, and encouraged her to speak Dutch.

City of Arnhem in the Netherlands. Credit: José Manuel Vargas

In 1944, Hepburn was already a good dancer, and the money she raised she donated to the Dutch resistance.

She and her friends had to carry out their performances in secret, and the public should not applaud so, at the end of their performances, not a single sound was heard.

Audrey later said that it was the best audience she had ever had.

Audrey Hepburn during World War II

The war put a sad end to her childhood, as one of her brothers was captured and taken to a concentration camp the other disappeared, fighting in the resistance against the Nazi invasion.

One of her uncles and a cousin were shot for being members of the resistance.

Audrey Hepburn was able to see in her city how the Jews were being taken away.

She particularly remembered a boy with his parents, very pale, blond, with a coat that was too big for him, entering the train.

Audrey Hepburn was a girl who was watching a terrified boy and those images stayed engraved in her memory.

Audrey Hepburn saw how the Nazis mistreated Jewish children. Credit: José, Abadía Digital

In 1947, one of her friends gave her the Anne Frank book. When she read it, Audrey was deeply affected.

Not only because of that child’s tragedy, but also because of the great similarities between the two.

Both had been born in 1929 Anne Frank was hidden in Amsterdam just 100 km from Arnhem.

Audrey Hepburn and Anne Frank witnessed executions of young men who were shot against the wall and shot.

Anne Frank noted in her book the day she saw five hostages shot on that same day Audrey Hepburn’s uncle was shot.

The girl Anne Frank. Credit: Anne Frank Stichting website

Audrey understood that this girl who had lived locked in a small hiding place in an old building, fleeing from the Nazis, had made a complete report of everything she had lived through.

The spirit of survival that children have, made her possible for those terrible experiences not to bring Audrey Hepburn down.

The way she had to distract herself was by drawing and practicing languages.

After these fateful years, Audrey spoke English, French, Dutch and Italian perfectly.

Also, a little German and Spanish.

When the country was liberated, the food provided by the allied institutions arrived.

Audrey Hepburn recounted that on the first day she drank so much condensed milk that she became ill from excess sugar.

These memories of starvation contributed to Audrey Hepburn always supporting UNICEF for the rest of her life.

First steps in your artistic profession

In 1945, at the end of the war, Hepburn left the Arnhem Conservatory.

She moved to Amsterdam and again took ballet classes with Sonia Gaskell.

In 1948, she went to London and continued studying ballet this time with Marie Rambert, teacher of Vaslav Nijinsky, one of the great dancers in the history of dance.

Audrey Hepburn was relatively tall (1.67m), very elegant in stature.

But she had become excessively thin because of the malnutrition suffered during the war. In addition, she had begun to suffer from anorexia nervosa.

Adding all the factors together, the result convinced her teacher that Audrey Hepburn could not have a good future as “first dancer”.

Audrey decided to go to the theater and cinema.

She began her acting career in an educational film, with seven lessons in Dutch.

She then acted in various musical productions and in small roles in films of the time, such as “Monte Carlo Baby” (1951).

Back then, she was selected to star in the famous musical “Gigi” that was performing on Broadway, New York.

Another of her first important roles in the cinema was in the movie “Secret People” (1952).

Audrey Hepburn was playing the role of a prodigy dancer. Naturally, she did all the dance scenes.

Audrey Hepburn’s Triumphs Begin

In 1953, the film director William Wyler, was going to shoot the movie “Roman Holiday” and had the famous Gregory Peck as the protagonist.

The producers had expressed the wish that Gregory Peck’s partner was Elizabeth Taylor.

However, during the forced selection process, William Wyler was impressed by Audrey’s magnificent camera test.

In everything, she showed her enormous talent and Wyler did not hesitate to hire her.

Later, he said: “She has all the things I am looking for: charm, innocence and talent. It is also very fun. She is absolutely charming. We did not hesitate to say that she was our girl”.

When filming ended, Gregory Peck did not want Audrey to come in second. And he asked that in advertising they give the same importance to the two names.

Due to the extraordinary success of ” Roman Holiday“, Hepburn was the cover of Time magazine on September 7, 1953.

Audrey Hepburn and Gregory Peck through the streets of Rome on a Vespa. Credit: I recommend Culture in Cinema

Roman Holiday” was her most beloved movie, and the one that made her a star.

Film critics could find no more words to praise her.

One of them wrote: “Although she is not exactly a newcomer to the world of acting, Audrey Hepburn, the British actress who steps into the shoes of Princess Anne, is splendid, beautiful“.

For the glamor and beauty of “ Roman Holiday“, she received the Oscar for Best Actress, the only one she would receive in her entire career.

After this movie, the Vespa (with a handsome man in it) and the scarf around the neck became fashionable.

Before joining the filming of “ Roman Holiday”, Audrey was acting in the musical “Gigí” in Los Angeles and San Francisco.

After four months of filming “ Roman Holiday” she traveled to New York to continue with the functions of the musical.

This was possible since the contract she had with Paramount allowed her to have twelve months free between film and film, to dedicate herself to the theater.

Post-Holiday Triumphs in Rome

It is difficult to choose which is the best of the great films that she starred in the following years:

  • “Sabrina”, 1954, with Humphrey Bogart and William Holden she was dressed by Givenchy and had an Oscar nomination, but Grace Kelly took it.
  • “Angel Face”, 1957, with Fred Astaire, a photographer looking for a model and who finds a shy shop assistant.
  • “The Nun’s Story “, 1959, with Peter Finch Audrey in the role of Sister Lucas, Belgian like her and who had also suffered the war.
  • “Breakfast at Tiffany’s”, 1961, with George Peppard based on the Truman Capote novel.
  • “War and Peace”, 1961, with Henry Fonda, Mel Ferrer, Vittorio Gassman Audrey in the role of Natasha.
  • “My fair lady”, 1964, with Rex Harrison Audrey in the role of the naive florist Eliza Doolittle.
  • “How to Steal a Million”, 1966, with Peter O’Toole.
  • “Two on the road”, 1967, with Albert Finney.

It is considered that the best role of her career is that she starred in the famous musical “My Fair Lady“.

Audrey in a suit designed by Givenchy for the movie My Fair Lady. Credit: Pierre Tourigny

In 1954, Hepburn returned to the stage to star in the play “Ondine“, based on the novel written in 1938 by Jean Giraudoux.

She acted alongside Mel Ferrer, who was later her husband. She continued to star in the play for the rest of the year.

Awards obtained by Audrey Hepburn

That same year, Audrey Hepburn received the Golden Globe for Best Actress and the Oscar for her role in “Roman Holiday“.

Six weeks after receiving the Oscar, Hepburn received the Tony Award for her performance in “Ondine“.

She was one of only three actresses to win the Oscar and Tony the same year.

Audrey in the movie Breakfast at Tiffany’s. Credit: Trailer Screenshot

In all this time, Audrey Hepburn was one of the highest grossing actresses in Hollywood.

She always made a great friendship with many of her castmates: Humphrey Bogard, Fred Astaire, Maurice Chevalier and many others.

Audrey Hepburn with Humphrey Bogart and William Holden. Credit: Dennis Amith

George Cukor’s “My Fair Lady” was the most anticipated film since “Gone with the Wind” (1939).

Audrey was chosen as the protagonist, ahead of Julie Andrews who was still unknown.

Elisabeth Taylor was also among the candidates to be the Eliza of the film.

Actor Rex Harrison was very upset when he found out about Audrey’s choice over Julie Andrews.

Later Harrison regretted saying: “Eliza Doolittle was supposed to be uncomfortable at European dances. The damn Audrey has never been out of European dances in her life”.

After many years had passed, in an interview, Rex Harrison was asked who had been his best companion during his career. Without thinking he said, “Audrey Hepburn”.

Indeed, the Eliza that will always be remembered will be Audrey Hepburn who was magnificent in this role.

The film was shot in Covent Garden. To this day, tourists crowd the place where Professor Higgins found Eliza Doolittle.

Audrey Hepburn was a four-time candidate for the Hollywood Oscar.

Audrey with her husband Mel Ferrer in the movie Guerra y Paz. Credit: Max Pixel

Simple and supportive life of Audrey Hepburn

Despite her immense popularity, Audrey led a much more reserved and modest life than most Hollywood stars.

She lived not in luxurious mansions but in houses where she could grow her own garden.

She never stopped collaborating intensively with Unicef and made multiple trips to help children in Africa.

She married Mel Ferrer (1917 – 2008) in 1954. With him she had a son named Sean Hepburn Ferrer.

Sean’s godfather of baptism was the celebrated Scottish writer and physician Cronin, author of the magnificent novel “The Keys of the Kingdom“.

Despite their unconditional love for Mel Ferrer, after 14 years of marriage they decided to separate, in 1968.

The writer Archibald Joseph Cronin. Credit: Bassano

In June 1968, on a trip to Greece, she met the Italian psychiatrist Andrea Dotti (1938 – 2008) whom she married in January 1969.

In 1970 Audrey gave birth to Luca Andrea, her second child.

It was not a happy marriage for Audrey Hepburn. But she waited for her son to get older, to separate from Dr. Dotti, in 1983.

Last years of Audrey Hepburn

Starting in 1967, after fifteen years of great success, she retired from the cinema for a few years to take care of her two children.

She only participated in very few film productions, despite the fact that there were always producers who offered her a good role. In addition to a pretty face, she was a good actress.

She knew how to grow old, and nothing clouded the beauty or elegance that she wore as naturally as in her youth.

These were those last jewels that she gave us:

  • “Alone in the dark”, 1967 in which she plays the role of a blind young woman harassed by a criminal.
  • “Robin and Marian”, 1976 with Sean Connery in the role of Robin Hood film shot in Zamora.
  • “Blood ties”, 1979 with Omar Sharif, Irene Papas, Romy Schneider and Ben Gazzara.
  • “Always”, 1988 Steven Spielberg’s film, in which she plays a small role as an angel.

This was her last movie. For some years she retired from the cinema to take care of her two children.

She needed to find her place in the world and believed she found it by taking refuge in a country house, far from the noise of the city.

She bought a property in Tolochenaz, a Swiss commune of half a thousand inhabitants, on the shores of Lake Lehman.

Lake Lehman in Switzerland

Although she had decided to move away from the cinema, she still frequented film sets.

And in one of them, in 1980, she met her last love, the Dutch actor Bob Wolders, born in 1936.

Bob Wolders made her live again and faithfully accompanied her to death.

In 1992, three months before her death and already evicted, Hepburn made her last trip to Somalia.

On January 24, 1993, her two sons Sean and Luca, along with her ex-husbands and her last partner, Bob Wolders, were accompanying her funeral in that town in Switzerland where she had decided to live.

Her five men were together in the cemetery on that cold, gray day.

Audrey Hepburn raising funds for UNICEF

In memory of her generous collaboration, a statue of hers was inaugurated at UNICEF headquarters in New York in 2000.

Audrey never flaunted jewelry and refused to be the image of the Tiffany brand.

However, Tiffany jewelry, which she had popularized in ” Breakfast at Tiffany’s”, dedicated a showcase to her. Tourists swirled daily in the window.

In 2007, one of the costumes worn by the actress in the movie ” Breakfast at Tiffany’s” was auctioned.

The amount of about 700,000 euros, went to a project by the writer Dominique Lapierre, for two schools in Bengal.

Audrey Hepburn was seen by many as a fashion icon. However, she always ran away from labels and false prizes.

She always remained faithful to Givenchy, the designer who dressed her as Sabrina, at the beginning of her acting career, in 1954.

The artist and his muse gave us some of the most unforgettable dresses in film history.

One of the extra attractions of the cinema of those years were music and clothes.

Exhibition of dresses designed by Givenchy for Audrey Hepburn. Credit: Hans Splinter

Throughout her life, Audrey Hepburn was characterized by an incredible sense of humor, by her naturalness and elegance.

Although she had fame, money and beauty, she never gave herself the air of a diva. Neither inside nor outside the shooting sets.

In short, Audrey Hepburn was an extraordinary woman, a remarkable woman.

Tomb of Audrey Hepburn. Credit: Alexandra Spürk

Later Work

For the rest of the 1960s, Hepburn took on a variety of roles. She starred with Cary Grant in the romantic thriller Charade (1963). Playing the lead in the film version of the popular musical My Fair Lady (1964), she went through one of the most famous metamorphoses of all time. As Eliza Doolittle, she played an English flower girl who becomes a high society lady. Taking on more dramatic fare, she starred a blind woman in the suspenseful tale Wait Until Dark (1967) opposite Alan Arkin. Her character used her wits to overcome the criminals that were harassing her. This film brought her a fifth Academy Award nomination. That same year, Hepburn and her husband separated and later divorced. She married Italian psychiatrist Andrea Dotti in 1969, and the couple had a son, Luca, in 1970.

In the 1970s and 1980s, Hepburn worked sporadically. She starred opposite Sean Connery in Robin and Marian (1976), a look at the central figures of the Robin Hood saga in their later years. In 1979, Hepburn co-starred with Ben Gazzara in the crime thriller Bloodline. Hepburn and Gazzara teamed up again for the 1981 comedy They All Laughed, directed by Peter Bogdanovich. Her last screen role was in Always (1989) directed by Steven Spielberg.

Audrey Hepburn pictured with an Ethiopian girl on her first field mission for UNICEF in Ethiopia, 1988

Photo: Derek Hudson/Getty Images

3 Margot Robbie

With strong performances in movies like The Wolf of Wall Street, Suicide Squad and I, Tonya, Australian actress Margot Robbie has become one of the most famous actresses of her generation and also one of the world's highest-paid actresses. In her short career till now, she has won numerous award nominations and has become a significant name in the advertising world.

Style Icon

As an iconic actress, Audrey Hepburn also gained popularity for her style. She has been labeled as one of the biggest and best style icons in the world. As a fashion icon, there were multiple reasons why she gained this title.

Whether it’s in her films, or with her street style, Hepburn always looked immaculate. Some credited this to her lean features, others have stated that she had an eye for fashion. The ices that she wore in her twenties are being worn by twenty-year-olds today demonstrating how ahead of the time she was.

The low maintenance haircut and basic clothing pieces spoke to a lot of women. Hepburn offered a realistic standard for women, giving them options that they could easily copy. It’s this, amongst other things, that classes her as one of the most influential fashion icons ever.

Hepburn always opted for tailored basics, rather than trendy lavish pieces. Skinny pants, dark shirts, flannels, and simple dresses were always her choice in attire. Choosing basics, like these pieces, has set Hepburn as a timeless fashion icon – something that many of the golden age actresses did not achieve.

Hepburn did not follow specific fashion trends and rather created her own. Hepburn concentrated heavily on accessories, and elevated classic styles in modern ways – this is something that still lives on today.

However, it was arguably the little black dress that became the true iconic dress. Breakfast at Tiffany’s (1961) made Hepburn firmly the style icon that she is known as today. She became the epitome of 1950s glamour, exhuming in classic, elegant style.

Hepburn was also one of the only three people to wear the Tiffany diamond – one of the largest yellow diamonds around. She was also included in People’s “50 Most Beautiful People in the World” in 1990, recognizing the legacy of her style and appearance.

As for style recognition, Hepburn was a member of the International Best Dressed List and received the Council of Fashion Designers of America’s Lifetime of Style Award in 1992. It goes without saying, Audrey’s legacy spans much further than acting. Her style and fashion will also live on as they already have.

So much so, Mark Tungate, a British writer, stated that Hepburn was her own recognizable brand. It’s also been stated that she appealed to women more than men – in comparison to the more curvy Elizabeth Taylor and Grace Kelly. Hepburn has been cited as one of the key figures that made being extremely slim fashionable.

Hepburn was very often associated with French designer, Hubert de Givenchy. Givenchy would later become a crucial part of her life, especially throughout her death. Many have questioned whether Givenchy was made famous by Audrey Hepburn or vice versa. Needless to say, their relationship was extremely special and partly the reason why Hepburn was seen as so fashionable.

Iconic Look

Thankfully, Hepburn gave birth to a healthy son, Sean Hepburn-Ferrer, on January 17, 1960. Little Sean was always in tow and even accompanied his mother on the set of "Breakfast at Tiffany's" (1961).

With fashions designed by Hubert de Givenchy, the film catapulted Hepburn as a fashion icon she appeared on nearly every fashion magazine that year. The press took its toll, however, and the Ferrers bought La Paisible, an 18th-century farmhouse in Tolochenaz, Switzerland, to live in privacy.

Hepburn's successful career continued when she starred in "The Children’s Hour" (1961), Charade (1963), and then was cast in the universally acclaimed musical film, "My Fair Lady "(1964). After more successes, including the thriller "Wait Until Dark" (1967), the Ferrers separated.

3 Audrey Hepburn Once Dated JFK

Can you imagine Audrey Hepburn as our First Lady? Few people know, but she had a relationship with John F. Kennedy when he was still a senator. Their relationship was very low profile, and it seems that neither of them thought about it as something serious. They grew apart, but there was still a bond between them.

Although no one remembers it, Audrey Hepburn sang Happy Birthday to John F. Kennedy when he was already a president. She performed one year after Marilyn Monroe, and probably that is the reason people don’t remember it since Monroe’s presentation made history.

Legendary actress Audrey Hepburn is born - HISTORY

Born in Ixelles, Brussels, Hepburn spent parts of her childhood in Belgium, England, and the Netherlands. She studied ballet with Sonia Gaskell in Amsterdam beginning in 1945 and with Marie Rambert in London starting in 1948. She began performing as a chorus girl in West End musical theatre productions and then had minor appearances in several films. Hepburn starred in the 1951 Broadway play Gigi after being spotted by the French novelist Colette, on whose work the play was based.

Audrey Hepburn isn't exactly an International Woman of Mystery, but you've got to wonder how a single person could be so ridiculously-talented, intelligent, chic, and poised all at once. surely she's got some tricks up her sleeve. So, today, on what would've been her 86th birthday, we're getting sneaky à la her character Nicole Bonnet in How to Steal a Million and doing some old-fashioned sleuthing for little-known facts about the award-winning British actor and humanitarian.

1. Audrey Hepburn isn't her real name. She was born Audrey Kathleen Ruston and didn't start calling herself Audrey Hepburn until 1948.

2. She's a member of the EGOT club. One of 14 people in the world, she's won an Emmy, a Grammy, an Oscar, and a Tony .

3. She spoke five languages. She could speak English, Spanish, French, Dutch, and Italian.

4. She wasn't Truman Capote's first choice for Holly Golightly. In fact, the author had his heart set on Marilyn Monroe for the part. 'She was Truman Capote's first choice,' Sam Wasson, author of Fifth Avenue, 5 A.M.: Audrey Hepburn and Breakfast at Tiffany's, told What's more is that Monroe didn't take the part because Paula Strasberg, her advisor and acting coach, said she shouldn't be playing a 'lady of the evening.'

5. IRL, a danish was not her choice treat. Sorry Breakfast at Tiffany's diehards, but according to a 1960 New York Times report, 'Miss Hepburn, it developed, had no affection for the Danish, preferring ice cream at Schrafft's.'

6. She's an introvert. She said so herself in a 1953 interview with LIFE Magazine, explaining: 'I have to be alone very often. I'd be quite happy if I spent from Saturday night until Monday morning alone in my apartment. That's how I refuel.'

7. She loved the color cyan. According to her son Luca Dotti, the blueish-green hue was her favorite.

8. She began dancing at age five. By 1944, she was a proficient ballet dancer and secretly danced for groups of people to collect money for the Dutch resistance.

9. Her parents were Nazi sympathizers. While Hepburn boldly supported the resistance, her father, who abandoned her when she was a little girl, and her mother, Ella, were members of the British Union of Fascists, according to Fortunately for Hepburn, this was little-known in the 1950s as it would have been disastrous for her image.

10. A breed of Tulip was named after Hepburn. According to the Netherlands Flower Information Society, a new hybrid breed of tulip was named for Hepburn, 'as a tribute to the actress's career and her longtime work on behalf of UNICEF.'

11. She had a pet baby deer named Pippin . According to AnOther magazine, on the set of her 1959 film Green Mansions the animal trainer suggested Hepburn take the deer home with so that it would follow her on-screen. The fawn became her sidekick and even went with her to the supermarket.

12. Her feet were larger than you'd expect. Despite her small frame, Hepburn actually wore a size 10 in shoes. 'I'd like to be not so flat-chested,' she once said. 'I'd like not to have such angular shoulders, such big feet, and such a big nose.' She reportedly also bought her signature ballet flats half a size larger to avoid a squeezed-in look.

Audrey Hepburn rose to stardom in the romantic comedy Roman Holiday alongside Gregory Peck, for which she was the first actress to win an Oscar, a Golden Globe Award, and a BAFTA Award for a single performance. That same year, Hepburn won a Tony Award for Best Lead Actress in a Play for her performance in Ondine. She went on to star in a number of successful films such as Sabrina, in which Humphrey Bogart and William Holden compete for her affection Funny Face a musical in which she sang her own song parts the drama The Nun's Story the romantic comedy Breakfast at Tiffany's the thriller-romance Charade, opposite Cary Grant and the musical My Fair Lady . In 1967, she starred in the thriller Wait Until Dark, receiving Academy Award, Golden Globe, and BAFTA nominations. After that, she only occasionally appeared in films, one being Robin and Marian with Sean Connery. Her last recorded performances were in the 1990 documentary television series Gardens of the World with Audrey Hepburn.

She won three BAFTA Awards for Best British Actress in a Leading Role. In recognition of her film career, she received BAFTA's Lifetime Achievement Award, the Golden Globe Cecil B. DeMille Award, the Screen Actors Guild Life Achievement Award, and the Special Tony Award. She remains one of only 16 people who have won Academy, Emmy, Grammy, and Tony Awards.

Later in life, she devoted much of her time to UNICEF, to which she had contributed since 1954. Then, she worked in some of the poorest communities of Africa, South America, and Asia between 1988 and 1992. In December 1992, she received the Presidential Medal of Freedom in recognition of her work as a UNICEF Goodwill Ambassador. A month later, she died of appendiceal cancer at her home in Switzerland at the age of 63.

Early life Family and early childhood Hepburn was born Audrey Kathleen Ruston or, later, Hepburn-Ruston on 4 May 1929 at number 48 Rue Keyenveld in Ixelles, Brussels, Belgium. She was known to her family as Adriaantje.

Hepburn's grandfather, Aarnoud van Heemstra, was the Governor of the Dutch colony of Dutch Guiana. Hepburn's mother, Baroness Ella van Heemstra, was a Dutch noblewoman. She was the daughter of Baron Aarnoud van Heemstra, who served as Mayor of Arnhem from 1910 to 1920 and as Governor of Dutch Suriname from 1921 to 1928, and Baroness Elbrig Willemine Henriette van Asbeck . At the age of nineteen, Ella had married Jonkheer Hendrik Gustaaf Adolf Quarles van Ufford, an oil executive based in Batavia, Dutch East Indies, where they subsequently lived. They had two sons, Jonkheer Arnoud Robert Alexander Quarles van Ufford and Jonkheer Ian Edgar Bruce Quarles van Ufford, before divorcing in 1925.

Her father, Joseph Victor Anthony Ruston, was a British subject born in Auschitz, Bohemia, Austria-Hungary. He was the son of Victor John George Ruston, of British and Austrian background and Anna Wels, who was of Austrian origin and born in Kovarce. In 1923–1924, Joseph had been an Honorary British Consul in Semarang in the Dutch East Indies, and prior to his marriage to Hepburn's mother, he had been married to Cornelia Bisschop, a Dutch heiress. Although born with the surname Ruston, he later double-barrelled his name to the more 'aristocratic' Hepburn-Ruston, perhaps at Ella's insistence, as he mistakenly believed himself descended from James Hepburn, third husband of Mary, Queen of Scots.

Hepburn's parents were married in Batavia, Dutch East Indies, in September 1926. At the time, Ruston worked for a trading company, but soon after the marriage, the couple moved to Europe, where he began working for a loan company reportedly tin merchants MacLaine, Watson and Company in London and then Brussels. After a year in London, they moved to Brussels, where he had been assigned to open a branch office. After three years spent travelling between Brussels, Arnhem, The Hague and London, the family settled in the suburban Brussels municipality of Linkebeek in 1932. Hepburn's early childhood was sheltered and privileged. As a result of her multinational background and travelling with her family due to her father's job, she learned six languages: Dutch and English from her parents, and later varying degrees of French, German, Spanish, and Italian.

In the mid-1930s, Hepburn's parents recruited and collected donations for the British Union of Fascists. Joseph left the family abruptly in 1935 after a 'scene' in Brussels when Adriaantje was six later she often spoke of the effect on a child of being 'dumped' as 'children need two parents'. Joseph moved to London, where he became more deeply involved in Fascist activity and never visited his daughter abroad. Hepburn later professed that her father's departure was 'the most traumatic event of my life'.

That same year, her mother moved with Hepburn to her family's estate in Arnhem her half-brothers Alex and Ian were sent to The Hague to live with relatives. Joseph wanted her to be educated in England, so in 1937, Hepburn was sent to live in Kent, England, where she, known as Audrey Ruston or 'Little Audre'y, was educated at a small independent school in Elham.

Hepburn's parents officially divorced in June 1939. In the 1960s, Hepburn renewed contact with her father after locating him in Dublin through the Red Cross although he remained emotionally detached, Hepburn supported him financially until his death.

Experiences during World War II See also: Dutch famine of 1944–45 After Britain declared war on Germany in September 1939, Hepburn's mother moved her daughter back to Arnhem in the hope that, as during the First World War, the Netherlands would remain neutral and be spared a German attack. While there, Hepburn attended the Arnhem Conservatory from 1939 to 1945. She had begun taking ballet lessons during her last years at boarding school, and continued training in Arnhem under the tutelage of Winja Marova, becoming her 'star pupil'. After the Germans invaded the Netherlands in 1940, Hepburn used the name Edda van Heemstra, because an 'English-sounding' name was considered dangerous during the German occupation. Her family was profoundly affected by the occupation, with Hepburn later stating that 'had we known that we were going to be occupied for five years, we might have all shot ourselves. We thought it might be over next week… six months… next year… that's how we got through'. In 1942, her uncle, Otto van Limburg Stirum, was executed in retaliation for an act of sabotage by the resistance movement while he had not been involved in the act, he was targeted due to his family's prominence in Dutch society. Hepburn's half-brother Ian was deported to Berlin to work in a German labour camp, and her other half-brother Alex went into hiding to avoid the same fate.

'We saw young men put against the wall and shot, and they'd close the street and then open it, and you could pass by again. Don't discount anything awful you hear or read about the Nazis. It's worse than you could ever imagine.' —Hepburn on the Nazi occupation of the Netherlands After her uncle's death, Hepburn, Ella and Miesje left Arnhem to live with her grandfather, Baron Aarnoud van Heemstra, in nearby Velp. Around that time Hepburn performed silent dance performances to raise money for the Dutch resistance effort. It was long believed that she participated in the Dutch resistance itself, but in 2016 the Airborne Museum 'Hartenstein' reported that after extensive research it had not found any evidence of such activities. However, a 2019 book by author Robert Matzen provided evidence that she had supported the resistance by giving 'underground concerts' to raise money, delivering the underground newspaper, and taking messages and food to downed Allied flyers hiding in the woodlands north of Velp. She also volunteered at a hospital that was the centre of resistance activities in Velp, and her family temporarily hid a paratrooper in their home during the Battle of Arnhem. In addition to other traumatic events, she witnessed the transportation of Dutch Jews to concentration camps, later stating that 'more than once I was at the station seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon. I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on the train. I was a child observing a child.'

After the Allied landing on D-Day, living conditions grew worse, and Arnhem was subsequently heavily damaged during Operation Market Garden. During the Dutch famine that followed in the winter of 1944, the Germans blocked the resupply routes of the Dutch people's already limited food and fuel supplies as retaliation for railway strikes that were held to hinder German occupation. Like others, Hepburn's family resorted to making flour out of tulip bulbs to bake cakes and biscuits she developed acute anaemia, respiratory problems and oedema as a result of malnutrition. The Van Heemstra family was also seriously financially affected by the occupation, during which many of their properties, including their principal estate in Arnhem, were badly damaged or destroyed.

Entertainment career Ballet studies and early acting roles After the war ended in 1945, Hepburn moved with her mother and siblings to Amsterdam, where she began ballet training under Sonia Gaskell, a leading figure in Dutch ballet, and Russian teacher Olga Tarasova.

As the family's fortunes had been lost during the war, Ella supported them by working as a cook and housekeeper for a wealthy family. Hepburn made her film debut playing an air stewardess in Dutch in Seven Lessons, an educational travel film made by Charles van der Linden and Henry Josephson. Later that year, Hepburn moved to London after accepting a ballet scholarship with Ballet Rambert, which was then based in Notting Hill. She supported herself with part-time work as a model, and dropped 'Ruston' from her surname. After she was told by Rambert that despite her talent, her height and weak constitution would make the status of prima ballerina unattainable, she decided to concentrate on acting.

While Ella worked in menial jobs to support them, Hepburn appeared as a chorus girl in the West End musical theatre revues High Button Shoes at the London Hippodrome, and Cecil Landeau's Sauce Tartare and Sauce Piquante at the Cambridge Theatre. During her theatrical work, she took elocution lessons with actor Felix Aylmer to develop her voice. After being spotted by a casting director while performing in Sauce Piquante, Hepburn was registered as a freelance actress with the Associated British Picture Corporation . She appeared in the BBC Television play The Silent Village, and in minor roles in the films One Wild Oat, Laughter in Paradise, Young Wives' Tale, and The Lavender Hill Mob . She was cast in her first major supporting role in Thorold Dickinson's The Secret People, as a prodigious ballerina, performing all of her own dancing sequences.

Hepburn was then offered a small role in a film being shot in both English and French, Monte Carlo Baby, which was filmed in Monte Carlo. Coincidentally, French novelist Colette was at the Hôtel de Paris in Monte Carlo during the filming, and decided to cast Hepburn in the title role in the Broadway play Gigi. Hepburn went into rehearsals having never spoken on stage, and required private coaching. When Gigi opened at the Fulton Theatre on 24 November 1951, she received praise for her performance, despite criticism that the stage version was inferior to the French film adaptation. Life called her a 'hit', while The New York Times stated that 'her quality is so winning and so right that she is the success of the evening'. Hepburn also received a Theatre World Award for the role. The play ran for 219 performances, closing on 31 May 1952, before going on tour, which began 13 October 1952 in Pittsburgh and visited Cleveland, Chicago, Detroit, Washington, D. C., and Los Angeles, before closing on 16 May 1953 in San Francisco.

Roman Holiday and stardom

Hepburn in a screen test for Roman Holiday which was also used as promotional material for the film. Hepburn had her first starring role in Roman Holiday, playing Princess Ann, a European princess who escapes the reins of royalty and has a wild night out with an American newsman . The producers of the movie initially wanted Elizabeth Taylor for the role, but director William Wyler was so impressed by Hepburn's screen test that he cast her instead. Wyler later commented, 'She had everything I was looking for: charm, innocence, and talent. She also was very funny. She was absolutely enchanting, and we said, 'That's the girl!' Originally, the film was to have had only Gregory Peck's name above its title, with 'Introducing Audrey Hepburn' beneath in smaller font. However, Peck suggested to Wyler that he elevate her to equal billing so that her name appeared before the title, and in type as large as his: 'You've got to change that because she'll be a big star, and I'll look like a big jerk.'

The film was a box-office success, and Hepburn gained critical acclaim for her portrayal, unexpectedly winning an Academy Award for Best Actress, a BAFTA Award for Best British Actress in a Leading Role, and a Golden Globe Award for Best Actress – Motion Picture Drama in 1953. In his review in The New York Times, A. H. Weiler wrote: 'Although she is not precisely a newcomer to films, Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin, and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgement of the end of that affair, she remains a pitifully lonely figure facing a stuffy future.'

Hepburn with co-star William Holden in the film Sabrina Hepburn was signed to a seven-picture contract with Paramount, with 12 months in between films to allow her time for stage work. She was featured on 7 September 1953 cover of Time magazine, and also became known for her personal style. Following her success in Roman Holiday, Hepburn starred in Billy Wilder's romantic Cinderella-story comedy Sabrina, in which wealthy brothers compete for the affections of their chauffeur's innocent daughter . For her performance, she was nominated for the 1954 Academy Award for Best Actress, while winning the BAFTA Award for Best Actress in a Leading Role the same year. Bosley Crowther of The New York Times stated that she was 'a young lady of extraordinary range of sensitive and moving expressions within such a frail and slender frame. She is even more luminous as the daughter and pet of the servants' hall than she was as a princess last year, and no more than that can be said.'

Hepburn also returned to the stage in 1954, playing a water nymph who falls in love with a human in the fantasy play Ondine on Broadway. A critic for The New York Times commented that 'somehow, Miss Hepburn is able to translate into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage'. Her performance won her the 1954 Tony Award for Best Performance by a Leading Actress in a Play three days after she won the Academy Award for Roman Holiday, making her one of three actresses to receive the Academy and Tony Awards for Best Actress in the same year . During the production, Hepburn and her co-star Mel Ferrer began a relationship, and were married on 25 September 1954 in Switzerland.

Hepburn and Mel Ferrer on the set of War and Peace Although she appeared in no new film releases in 1955, Hepburn received the Golden Globe for World Film Favorite that year. Having become one of Hollywood's most popular box-office attractions, she starred in a series of successful films during the remainder of the decade, including her BAFTA- and Golden Globe-nominated role as Natasha Rostova in War and Peace, an adaptation of the Tolstoy novel set during the Napoleonic wars, starring Henry Fonda and her husband Mel Ferrer. She exhibited her dancing abilities in her debut musical film, Funny Face, wherein Fred Astaire, a fashion photographer, discovers a beatnik bookstore clerk who, lured by a free trip to Paris, becomes a beautiful model. Hepburn starred in another romantic comedy, Love in the Afternoon, alongside Gary Cooper and Maurice Chevalier.

Hepburn with co-star Anthony Perkins in the film Green Mansions Hepburn played Sister Luke in The Nun's Story, which focuses on the character's struggle to succeed as a nun, alongside co-star Peter Finch. The role produced a third Academy Award nomination for Hepburn, and earned her a second BAFTA Award. A review in Variety reads: 'Hepburn has her most demanding film role, and she gives her finest performance', while Henry Hart in Films in Review stated that her performance 'will forever silence those who have thought her less an actress than a symbol of the sophisticated child/woman. Her portrayal of Sister Luke is one of the great performances of the screen.' Hepburn spent a year researching and working on the role, saying, 'I gave more time, energy, and thought to this role than to any of my previous screen performances'.

Following The Nun's Story, Hepburn received a lukewarm reception for starring with Anthony Perkins in the romantic adventure Green Mansions, in which she played Rima, a jungle girl who falls in love with a Venezuelan traveller, and The Unforgiven, her only western film, in which she appeared opposite Burt Lancaster and Lillian Gish in a story of racism against a group of Native Americans.

Breakfast at Tiffany's and continued success Hepburn next starred as New Yorker Holly Golightly, in Blake Edwards's Breakfast at Tiffany's, a film loosely based on the Truman Capote novella of the same name. Capote disapproved of many changes that were made to sanitise the story for the film adaptation, and would have preferred Marilyn Monroe to have been cast in the role, although he also stated that Hepburn 'did a terrific job'. The character is considered one of the best-known in American cinema, and a defining role for Hepburn. The dress she wears during the opening credits has been considered an icon of the twentieth century, and perhaps the most famous 'little black dress' of all time. Hepburn stated that the role was 'the jazziest of my career' yet admitted: 'I'm an introvert. Playing the extroverted girl was the hardest thing I ever did.' She was nominated for the Academy Award for Best Actress for her performance.

Hepburn in the film Breakfast at Tiffany's The same year, Hepburn also starred in William Wyler's drama The Children's Hour, in which she and Shirley MacLaine played teachers whose lives become troubled after two pupils accuse them of being lesbians. Bosley Crowther of The New York Times was of the opinion that the film 'is not too well acted', with the exception of Hepburn, who 'gives the impression of being sensitive and pure' of its 'muted theme'. Variety magazine also complimented Hepburn's 'soft sensitivity, marvelous projection and emotional understatement', adding that Hepburn and MacLaine 'beautifully complement each other'.

Hepburn with Cary Grant in Charade Hepburn next appeared opposite Cary Grant in the comic thriller Charade, playing a young widow pursued by several men who chase the fortune stolen by her murdered husband. The 59-year-old Grant, who had previously withdrawn from the starring male lead roles in Roman Holiday and Sabrina, was sensitive about his age difference with 34-year-old Hepburn, and was uncomfortable about the romantic interplay. To satisfy his concerns, the filmmakers agreed to alter the screenplay so that Hepburn's character was pursuing him. The film turned out to be a positive experience for him he said, 'All I want for Christmas is another picture with Audrey Hepburn.' The role earned Hepburn her third, and final, competitive BAFTA Award, and another Golden Globe nomination. Critic Bosley Crowther was less kind to her performance, stating that, 'Hepburn is cheerfully committed to a mood of how-nuts-can-you-be in an obviously comforting assortment of expensive Givenchy costumes.'

Hepburn reunited with her Sabrina co-star William Holden in Paris When It Sizzles, a screwball comedy in which she played the young assistant of a Hollywood screenwriter, who aids his writer's block by acting out his fantasies of possible plots. Its production was troubled by several problems. Holden unsuccessfully tried to rekindle a romance with the now-married Hepburn, and his alcoholism was beginning to affect his work. After principal photography began, she demanded the dismissal of cinematographer Claude Renoir after seeing what she felt were unflattering dailies. Superstitious, she also insisted on dressing room 55 because that was her lucky number and required that Hubert de Givenchy, her long-time designer, be given a credit in the film for her perfume. Dubbed 'marshmallow-weight hokum' by Variety upon its release in April, the film was 'uniformly panned' but critics were kinder to Hepburn's performance, describing her as 'a refreshingly individual creature in an era of the exaggerated curve'.

Hepburn with cinematographer Harry Stradling on the set of My Fair Lady Hepburn's second film released in 1964 was George Cukor's film adaptation of the stage musical My Fair Lady, which premiered in October. Soundstage wrote that 'not since Gone with the Wind has a motion picture created such universal excitement as My Fair Lad'y, although Hepburn's casting in the role of Cockney flower girl Eliza Doolittle was a source of dispute. Julie Andrews, who had originated the role on stage, was not offered the part because producer Jack L. Warner thought Hepburn was a more 'bankable' proposition. Hepburn initially asked Warner to give the role to Andrews but was eventually cast. Further friction was created when, although non-singer Hepburn had sung in Funny Face and had lengthy vocal preparation for the role in My Fair Lady, her vocals were dubbed by Marni Nixon, whose voice was considered more suitable to the role. Hepburn was initially upset and walked off the set when informed.

Critics applauded Hepburn's performance. Crowther wrote that, 'The happiest thing about is that Audrey Hepburn superbly justifies the decision of Jack Warner to get her to play the title role.' Gene Ringgold of Soundstage also commented that, 'Audrey Hepburn is magnificent. She is Eliza for the ages', while adding, 'Everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice.' The reviewer in Time magazine said her 'graceful, glamorous performance' was 'the best of her career'. Andrews won an Academy Award for Mary Poppins at the 37th Academy Awards, but Hepburn was not even nominated. On the other hand, Hepburn did receive Best Actress nominations for both Golden Globe and New York Film Critics Circle awards.

Hepburn and Hugh Griffith in How to Steal a Million As the decade carried on, Hepburn appeared in an assortment of genres including the heist comedy How to Steal a Million where she played the daughter of a famous art collector, whose collection consists entirely of forgeries. Fearing her father's exposure, she sets out to steal one of his 'priceless' statues with the help of a man played by Peter O'Toole. It was followed by two films in 1967. The first was Two for the Road, a non-linear and innovative British dramedy that traces the course of a couple's troubled marriage. Director Stanley Donen said that Hepburn was more free and happy than he had ever seen her, and he credited that to co-star Albert Finney. The second, Wait Until Dark, is a suspense thriller in which Hepburn demonstrated her acting range by playing the part of a terrorised blind woman. Filmed on the brink of her divorce, it was a difficult film for her, as husband Mel Ferrer was its producer. She lost fifteen pounds under the stress, but she found solace in co-star Richard Crenna and director Terence Young. Hepburn earned her fifth and final competitive Academy Award nomination for Best Actress Bosley Crowther affirmed, 'Hepburn plays the poignant role, the quickness with which she changes and the skill with which she manifests terror attract sympathy and anxiety to her and give her genuine solidity in the final scenes.'

Semi-retirement and final projects

Hepburn and Sean Connery in the film Robin and Marian After 1967, Hepburn chose to devote more time to her family and acted only occasionally in the following decades. She attempted a comeback playing Maid Marian in the period piece Robin and Marian with Sean Connery co-starring as Robin Hood, which was moderately successful. Roger Ebert praised Hepburn's chemistry with Connery, writing, 'Connery and Hepburn seem to have arrived at a tacit understanding between themselves about their characters. They glow. They really do seem in love. And they project as marvelously complex, fond, tender people the passage of 20 years has given them grace and wisdom.' Hepburn reunited with director Terence Young in the production of Bloodline, sharing top-billing with Ben Gazzara, James Mason, and Romy Schneider. The film, an international intrigue amid the jet-set, was a critical and box-office failure. Hepburn's last starring role in a feature film was opposite Gazzara in the comedy They All Laughed, directed by Peter Bogdanovich. The film was overshadowed by the murder of one of its stars, Dorothy Stratten, and received only a limited release. Six years later, Hepburn co-starred with Robert Wagner in a made-for-television caper film, Love Among Thieves .

After finishing her last motion picture role—a cameo appearance as an angel in Steven Spielberg's Always —Hepburn completed only two more entertainment-related projects, both critically acclaimed. Gardens of the World with Audrey Hepburn was a PBS documentary series, which was filmed on location in seven countries in the spring and summer of 1990. A one-hour special preceded it in March 1991, and the series itself began airing the day after her death, 21 January 1993. For the debut episode, Hepburn was posthumously awarded the 1993 Emmy Award for Outstanding Individual Achievement – Informational Programming. The other project was a spoken word album, Audrey Hepburn's Enchanted Tales, which features readings of classic children's stories and was recorded in 1992. It earned her a posthumous Grammy Award for Best Spoken Word Album for Children.

Hepburn receiving UNICEF's International Danny Kaye Award for Children in 1989. Hepburn's first field mission for UNICEF was to Ethiopia in 1988. She visited an orphanage in Mek'ele that housed 500 starving children and had UNICEF send food. Of the trip, she said,

I have a broken heart. I feel desperate. I can't stand the idea that two million people are in imminent danger of starving to death, many of them children, not because there isn't tons of food sitting in the northern port of Shoa. It can't be distributed. Last spring, Red Cross and UNICEF workers were ordered out of the northern provinces because of two simultaneous civil wars. I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die. Horrible. That image is too much for me. The 'Third World' is a term I don't like very much, because we're all one world. I want people to know that the largest part of humanity is suffering.

In August 1988, Hepburn went to Turkey on an immunisation campaign. She called Turkey 'the loveliest example' of UNICEF's capabilities. Of the trip, she said, 'The army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country. Not bad.' In October, Hepburn went to South America. Of her experiences in Venezuela and Ecuador, Hepburn told the United States Congress, 'I saw tiny mountain communities, slums, and shantytowns receive water systems for the first time by some miracle – and the miracle is UNICEF. I watched boys build their own schoolhouse with bricks and cement provided by UNICEF.'

Hepburn toured Central America in February 1989, and met with leaders in Honduras, El Salvador, and Guatemala. In April, she visited Sudan with Wolders as part of a mission called 'Operation Lifeline'. Because of civil war, food from aid agencies had been cut off. The mission was to ferry food to southern Sudan. Hepburn said, 'I saw but one glaring truth: These are not natural disasters but man-made tragedies for which there is only one man-made solution – peace.' In October 1989, Hepburn and Wolders went to Bangladesh. John Isaac, a UN photographer, said, 'Often the kids would have flies all over them, but she would just go hug them. I had never seen that. Other people had a certain amount of hesitation, but she would just grab them. Children would just come up to hold her hand, touch her – she was like the Pied Piper.'

1990–1992 In October 1990, Hepburn went to Vietnam, in an effort to collaborate with the government for national UNICEF-supported immunisation and clean water programmes. In September 1992, four months before she died, Hepburn went to Somalia. Calling it 'apocalyptic', she said, 'I walked into a nightmare. I have seen famine in Ethiopia and Bangladesh, but I have seen nothing like this – so much worse than I could possibly have imagined. I wasn't prepared for this.' Though scarred by what she had seen, Hepburn still had hope. 'Taking care of children has nothing to do with politics. I think perhaps with time, instead of there being a politicisation of humanitarian aid, there will be a humanisation of politics.'

Recognition United States president George H. W. Bush presented Hepburn with the Presidential Medal of Freedom in recognition of her work with UNICEF, and the Academy of Motion Picture Arts and Sciences posthumously awarded her the Jean Hersholt Humanitarian Award for her contribution to humanity.

In 2002, at the United Nations Special Session on Children, UNICEF honoured Hepburn's legacy of humanitarian work by unveiling a statue, 'The Spirit of Audre'y, at UNICEF's New York headquarters. Her service for children is also recognised through the United States Fund for UNICEF's Audrey Hepburn Society.

Personal life Marriages, relationships, and children

Hepburn with first husband Mel Ferrer in Mayerling' In 1952, Hepburn became engaged to industrialist James Hanson, whom she had known since her early days in London. She called it 'love at first sight', but after having her wedding dress fitted and the date set, she decided the marriage would not work because the demands of their careers would keep them apart most of the time. She issued a public statement about her decision, saying 'When I get married, I want to be really married'. In the early 1950s, she also dated future Hair producer Michael Butler.

At a cocktail party hosted by mutual friend Gregory Peck, Hepburn met American actor Mel Ferrer, and suggested that they star together in a play. The meeting led them to collaborate in Ondine, during which they began a relationship. Eight months later, on 25 September 1954, they were married in Bürgenstock, Switzerland, while preparing to star together in the film War and Peace . She and Ferrer had a son, Sean Hepburn Ferrer.

Hepburn and second husband Andrea Dotti at their 1969 wedding. Despite the insistence from gossip columns that their marriage would not last, Hepburn claimed that she and Ferrer were inseparable and happy together, though she admitted that he had a bad temper. Ferrer was rumoured to be too controlling, and had been referred to by others as being her 'Svengali' – an accusation that Hepburn laughed off. William Holden was quoted as saying, 'I think Audrey allows Mel to think he influences her.' After a 14-year marriage, the couple divorced in 1968.

Hepburn and her partner, Robert Wolders with U.S. President Ronald Reagan in the White House in 1981 Hepburn met her second husband, Italian psychiatrist Andrea Dotti, on a Mediterranean cruise with friends in June 1968. She believed she would have more children and possibly stop working. They married on 18 January 1969, and their son Luca Andrea Dotti was born on 8 February 1970. While pregnant with Luca in 1969, Hepburn was more careful, resting for months before delivering the baby via caesarean section. Dotti was unfaithful and she had a romantic relationship with actor Ben Gazzara during the filming of the movie Bloodline . The Dotti-Hepburn marriage lasted thirteen years and was dissolved in 1982.

From 1980 until her death, Hepburn was in a relationship with Dutch actor Robert Wolders, the widower of actress Merle Oberon. She had met Wolders through a friend during the later years of her second marriage. In 1989, she called the nine years she had spent with him the happiest years of her life, and stated that she considered them married, just not officially.

Hepburn's grave in Tolochenaz, Switzerland Upon returning from Somalia to Switzerland in late September 1992, Hepburn began suffering from abdominal pain. While initial medical tests in Switzerland had inconclusive results, a laparoscopy performed at the Cedars-Sinai Medical Center in Los Angeles in early November revealed a rare form of abdominal cancer belonging to a group of cancers known as pseudomyxoma peritonei. Having grown slowly over several years, the cancer had metastasised as a thin coating over her small intestine. After surgery, Hepburn began chemotherapy.

Hepburn and her family returned home to Switzerland to celebrate her last Christmas. As she was still recovering from surgery, she was unable to fly on commercial aircraft. Her longtime friend, fashion designer Hubert de Givenchy, arranged for socialite Rachel Lambert 'Bunn'y Mellon to send her private Gulfstream jet, filled with flowers, to take Hepburn from Los Angeles to Geneva. She spent her last days in hospice care at her home in Tolochenaz, Vaud and was occasionally well enough to take walks in her garden, but gradually became more confined to bedrest.

On the evening of 20 January 1993, Hepburn died in her sleep at home. After her death, Gregory Peck recorded a tribute to Hepburn in which he recited the poem 'Unending Love' by Rabindranath Tagore. Funeral services were held at the village church of Tolochenaz on 24 January 1993. Maurice Eindiguer, the same pastor who wed Hepburn and Mel Ferrer and baptised her son Sean in 1960, presided over her funeral, while Prince Sadruddin Aga Khan of UNICEF delivered a eulogy. Many family members and friends attended the funeral, including her sons, partner Robert Wolders, half-brother Ian Quarles van Ufford, ex-husbands Andrea Dotti and Mel Ferrer, Hubert de Givenchy, executives of UNICEF, and fellow actors Alain Delon and Roger Moore. Flower arrangements were sent to the funeral by Gregory Peck, Elizabeth Taylor, and the Dutch royal family. Later on the same day, Hepburn was interred at the Tolochenaz Cemetery.

Wooden lasts of Hepburn's feet in the Salvatore Ferragamo Museum Hepburn's legacy has endured long after her death. The American Film Institute named Hepburn third among the Greatest Female Stars of All Time. She is one of few entertainers who have won Academy, Emmy, Grammy and Tony Awards. She won a record three BAFTA Awards for Best British Actress in a Leading Role. In her last years, she remained a visible presence in the film world. She received a tribute from the Film Society of Lincoln Center in 1991 and was a frequent presenter at the Academy Awards. She received the BAFTA Lifetime Achievement Award in 1992. She was the recipient of numerous posthumous awards including the 1993 Jean Hersholt Humanitarian Award and competitive Grammy and Emmy Awards. She has been the subject of many biographies since her death including the 2000 dramatisation of her life titled The Audrey Hepburn Story which starred Jennifer Love Hewitt and Emmy Rossum as the older and younger Hepburn respectively. In January 2009, Hepburn was named on The Times' list of the top 10 British actresses of all time. However, in 2010 Emma Thompson commented that Hepburn 'can't sing and she can't really act' some people agreed, others did not. Hepburn's son Sean later said 'My mother would be the first person to say that she wasn't the best actress in the world. But she was a movie star.'

Hepburn's star on the Hollywood Walk of Fame Hepburn's image is widely used in advertising campaigns across the world. In Japan, a series of commercials used colourised and digitally enhanced clips of Hepburn in Roman Holiday to advertise Kirin black tea. In the United States, Hepburn was featured in a 2006 Gap commercial which used clips of her dancing from Funny Face, set to AC/DC's 'Back in Black', with the tagline 'It's Back – The Skinny Black Pant'. To celebrate its 'Keep it Simple' campaign, the Gap made a sizeable donation to the Audrey Hepburn Children's Fund. In 2012, Hepburn was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his best known artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life that he most admires. In 2013, a computer-manipulated representation of Hepburn was used in a television advert for the British chocolate bar Galaxy. On 4 May 2014, Google featured a doodle on its homepage on what would have been Hepburn's 85th birthday.

Sean Ferrer founded the Audrey Hepburn Children's Fund in memory of his mother shortly after her death. The US Fund for UNICEF also founded the Audrey Hepburn Society: chaired by Luca Dotti, it celebrates UNICEF's biggest donors and has raised almost US$100,000,000 to date. Dotti also became patron of the Pseudomyxoma Survivor charity, dedicated to providing support to patients of the rare cancer Hepburn suffered from, pseudomyxoma peritonei, and the rare disease ambassador since 2014 and for 2015 on behalf of European Organisation for Rare Diseases.

Hepburn's son Sean said that he was brought up in the countryside as a normal child, not in Hollywood and without a Hollywood state of mind that makes movie stars and their families lose touch with reality. There was no screening room in the house. He said that his mother didn't take herself seriously, and used to say 'I take what I do seriously, but I don't take myself seriousl'y.

Hepburn with a short hair style and wearing one of her signature looks: black turtleneck, slim black trousers, and ballet flats Hepburn was known for her fashion choices and distinctive look, to the extent that journalist Mark Tungate has described her as a recognisable brand. When she first rose to stardom in Roman Holiday, she was seen as an alternative feminine ideal that appealed more to women than men, in comparison to the curvy and more sexual Grace Kelly and Elizabeth Taylor. With her short hair style, thick eyebrows, slim body, and 'gamine' looks, she presented a look which young women found easier to emulate than those of more sexual film stars. In 1954, fashion photographer Cecil Beaton declared Hepburn the 'public embodiment of our new feminine ideal' in Vogue, and wrote that 'Nobody ever looked like her before World War II . Yet we recognise the rightness of this appearance in relation to our historical needs. The proof is that thousands of imitations have appeared.' The magazine and its British version frequently reported on her style throughout the following decade. Alongside model Twiggy, Hepburn has been cited as one of the key public figures who made being very slim fashionable.

Added to the International Best Dressed List in 1961, Hepburn was associated with a minimalistic style, usually wearing clothes with simple silhouettes which emphasised her slim body, monochromatic colours, and occasional statement accessories. In the late 1950s, Audrey Hepburn popularised plain black leggings. Academic Rachel Moseley describes the combination of 'slim black trousers, flat ballet-style pumps and a fine black jerse'y as one of her signature looks alongside little black dresses, noting that this style was new at the time when women still wore skirts and high heels more often than trousers and flat shoes.

With George Peppard in Breakfast at Tiffany's

With Cary Grant in Charade Hepburn was in particular associated with French fashion designer Hubert de Givenchy, who was first hired to design her on-screen wardrobe for her second Hollywood film, Sabrina, when she was still unknown as a film actor and he a young couturier just starting his fashion house. Although initially disappointed that 'Miss Hepburn' was not Katharine Hepburn as he had mistakenly thought, Givenchy and Hepburn formed a lifelong friendship. She became his muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated 'we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'

In addition to Sabrina, Givenchy designed her costumes for Love in the Afternoon, Breakfast at Tiffany's, Funny Face, Charade, Paris When It Sizzles, and How to Steal a Million, as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that 'the costume is not tied to the character, functioning 'silently' in the mise-en-scène, but as 'fashion' becomes an attraction in the aesthetic in its own right'. Hepburn herself stated that Givenchy 'gave me a look, a kind, a silhouette. He has always been the best, and he stayed the best. Because he kept the spare style that I love. What is more beautiful than a simple sheath made an extraordinary way in a special fabric, and just two earrings?' She also became the face of Givenchy's first perfume, L'Interdit, in 1957. In addition to her partnership with Givenchy, Hepburn was credited with boosting the sales of Burberry trench coats when she wore one in Breakfast at Tiffany's, and was associated with Italian footwear brand Tod's.

With Gregory Peck in Roman Holiday In her private life, Hepburn preferred to wear casual and comfortable clothes, contrary to the haute couture she wore on screen and at public events. Despite being admired for her beauty, she never considered herself attractive, stating in a 1959 interview that 'you can even say that I hated myself at certain periods. I was too fat, or maybe too tall, or maybe just plain too ugly. you can say my definiteness stems from underlying feelings of insecurity and inferiority. I couldn't conquer these feelings by acting indecisive. I found the only way to get the better of them was by adopting a forceful, concentrated drive.' In 1989, she stated that 'my look is attainable . Women can look like Audrey Hepburn by flipping out their hair, buying the large glasses and the little sleeveless dresses.'

Hepburn's influence as a style icon continues several decades after the height of her acting career in the 1950s and 1960s. Moseley notes that especially after her death in 1993, she became increasingly admired, with magazines frequently advising readers on how to get her look and fashion designers using her as inspiration. In 2004, Hepburn was named the 'most beautiful woman of all time' and 'most beautiful woman of the 20th centur'y in polls by Evian and QVC respectively, and in 2015, was voted 'the most stylish Brit of all time' in a poll commissioned by Samsung. Her film costumes fetch large sums of money in auctions: one of the 'little black dresses' designed by Givenchy for Breakfast at Tiffany's was sold by Christie's for a record sum of £467,200 in 2006.

Watch the video: AudreyHepburn. The Legendary Actress. #SeeHer Story (May 2022).